Gremlins, Inc. is a computerized board game designed by Alexey Bokulev and Sergei Klimov produced under the Charlie Oscar Lima Tango Interactive Entertainment brand. It was published in 2016 by The Merchant Guild of Rund to the Steam platform. It appears to be fully multiplayer, where players may play online competitively individually or in cooperative teams, or locally competitively individually or on teams as well. It appears the game may be played by 2 to 5 players. There are ladders that track player statistics that may be climbed. There appear to be plentiful mods to customize, enhance, and extend the base game, and the game appears to have been consistently updated since its release.
Players may play as one of five classes of character: the Explorer, the Manager, the Gambler, the Collector, the Thief, or the Damned. I am not yet certain as to the strengths or weaknesses of the various classes since I’ve only ever chosen the random character option. Hovering over each one should give a description of their strengths and weaknesses.
Players are dealt six cards each at the beginning of the game. As these cards are played or otherwise discarded throughout the game, they are replenished immediately from a random deck. At the beginning of the game, all players may discard as many cards as they wish from their hand to be redrawn prior to playing their first turn.
Each card has a name and unique game art that make them easily remembered and identifiable at a glance once you get used to playing. The Gremlinopedia contains an index of each card and what effects they have to be referenced by the player when needed. All of this information is also present on the cards themselves within a players hand.
The number in the upper left hand corner of the card is the movement number. Cards may be played to move around the board or they may be played to execute the card’s action, but never both. Once a card is played for movement or its action, it is discarded. When played for the card’s action, the card must be played on the spot that it corresponds to. A picture of this spot is located on the bottom left of the card. A description of all of the spots on the board is included below. Some cards have an added action effect when played. These cards will have a gear icon located at the upper center of the card. Hovering the mouse pointer on this icon will reveal text that explains the card’s effect when played.
There are numerous Gremlins, Inc. game boards to play on, and none of them that I have seen are fully linear. Be careful to check the arrows on the board to plan your movement. On the board I first played on, there was a primary loop to travel counter-clockwise around in a circle that was fairly low risk. This primary loop had loops to the unique game spots connected to it, so traveling around this loop would provide a player access to those spots. However, there are also places within the primary loop where the player may take short cuts or move to a different place in the loop entirely. The player must take into account the risk versus reward when choosing their particular path. Paths with high reward usually come with high risk, while paths with lower reward come with a lower risk.
The most important and precious resource in the game are the general game points. At the beginning of each game, the game host decides how many game points will be played to. In the game I played, the number of game points was 20. This means that the first player to reach 20 game points would win the game. The number of game points a player has is shown in the middle of a green gear next to their player portrait on the main game screen. Wherever game points may be added or subtracted from the player in a game, they are represented by a gear.
There are also votes that may be collected or lost while navigating the board. Whomever has the most votes when elections are called becomes the governor. It’s good to be the governor. Governors don’t have to pay any resources when landing on a bribe spot.
Pitchforks are another resource. The more pitchforks you have the more notorious your reputation which counts for something. Be careful that you don’t have the most pitchforks though as some of the nastier misfortunes target the most evil player in the game. Then there is the + and – resources. The – resource is used to pay off the police when landing on a police spot and pay bribes. Money, or G, is the common currency of the game.
Many cards require G to play on their respective spots. When G is required to play a card, the amount required will be shown in the upper right hand corner of the card. The more powerful the card, the more costly it is to play. Unfortunately for the player who likes to plan ahead, G is what is most often increased or decreased in all of the in game events around the board which makes the amount of it in your purse at any time highly volatile. Getting a high power card that requires around 1000G to play made my mouth water since it would pretty much settle the game if I were to successfully play it. So I would plan out how to get to the other side of the map to play that one card and save enough G on my way there to spend it solely on that card. I tried three separate cards like this in the game I played and each time there was something that made me lose enough of my money to keep me from playing each of those three cards. This was even with me being the governor for around 80 percent of the game. The fluctuation of G in my coffer was a strong signal that Gremlins, Inc. is as much a game of chance as it is a game of skill. Randomness is hidden by the complexity of the game, but is still present in full, frustrating force and compounded by the actions of each player added to the game.
Bribe – Looks like a dollar bill with a G in the middle. When passing this spot, a player must pay -, when landing on this spot double – is paid. If the player cannot pay the full amount, they pay whatever they have and receive pitchforks. The governor doesn’t have to pay when passing or landing on any one of these spots.
Gamble – Looks like a die with a heart, club, and spade on it. When landing here a six sided die is rolled. If a one is rolled, a misfortune occurs. Rolling a two subtracts 50G, while rolling a four or a six will add 50G or 100G to a player’s purse respectively. Rolling a three subtracts a voter and adds a pitchfork, while rolling a five adds two voters.
Income – Clearly a money spot. When passing this spot you get money, or G. When you land on it you get double G!
Misfortune – Signified by ominous red face. Passing this spot curses the player with a random misfortune. Landing on it allows a player’s opponent to choose one of two misfortunes that will befall the player.
Police – Looks like a police sergeant’s hat. When landing here a player must pay – or there is a chance they will be arrested.
Risk – When you land on a risk spot, a six sided die is rolled to see if any misfortune is caused to your player. Prior to the die roll, the player is offered the option to buy insurance for 20G. If accepted and a misfortune occurs, it will be directed toward other players instead of the rolling player.
Tribune – Looks like a bullhorn. When landing on one of these spots you can address your voters. A six sided die is rolled to determine the effectiveness of your speech.
The Astral Plain – Looks like a hot air balloon. When landing here a player may choose to skip one turn to lose two pitchforks and draw their choice of one out of three cards from the deck.
The Bank – Signified by a gold G. When landing here a player may spend G based on their + amount to increase + by 10.
The Casino – This spot looks like a dart board. Here a player may roll a six sided die to win or lose an amount of money wagered from their purse. Rolling a 1, 2, or 3 causes the player to lose 100G, 50G or 25G respectively. Rolling a 4, 5, or 6 causes the player to gain 25G, 50G, or 100G respectively.
The Court – Signified by an icon of an angry looking judge. When landing on this spot a player may pay 40G to take a vote from any player of their choice.
The Dump – Looks like a worn out boot. When landing here a player may roll a six sided die to dig through the junk. rolling a 1 causes the player to lose one voter. Rolling a four, five, or six, causes the player to gain 10G, 20G, or 30G respectively. Rolling anything else has no effect.
The Jail – Signified by a grid of bars. Many in game actions can send a player to the Jail. Upon entering the Jail, the player rolls a six sided die for the number of turns they will stay in the Jail. At the beginning of each turn spent in the Jail, the player may choose to engage in good behavior, be neutral, or engage in bad behavior. Good behavior helps you get out of the Jail quicker, but bad behavior increases your notoriety and jail experience while potentially adding turns to your sentence. Choosing neutral allows a player to walk the line between the two.
The Inferno – Looks like a pitchfork, seems a lot like hell. Appears to be the home of evil. Cards related to the Inferno tend to boost your player’s pitchfork resource number.
The Office – Signified by a blue hand. A player may sell 1 voter for 100G on this spot.
The Marketplace – Signified by a green moneybag. When landing here a player may sell one of their precious game points for 200G if they wish.
The Plant – Signified by a golden gear on a green background. When landing here a player may skip one turn to receive 50G and lose one pitchfork if they so choose.
The Treasure – It looks like the game designers attempted to depict a yellow diamond icon for this spot, but I spent my whole first game thinking it looked like a yellow heart. The player may roll a six sided die to see how much treasure, or G, they receive. There is no losing on this space. Rolling a 1 wins 10G, 2 wins 25G, 3 wins 50G, 4 wins 100G, 5 wins 150G, and 6 wins 200G.
Gremlins, Inc. appears to be more a game of overall strategy as opposed to methodical tactics. Because of all of the probabilities of success and failure on each turn, it makes more sense to come up with a winning method of playing the game that works best in most cases than to tactically plan out each move many moves into the future. A player can plan a general strategy that provides them success a majority of the time and refine their strategy to eliminate those things that cause a loss of resources a plurality of the time. Focusing on the big picture is key.
Gremlins, Inc. is a fantastically complex game. It’s the kind of game I always wanted to play as a kid but one I know I would never find anyone who would want to play it with me. If you are not a fan of complex games, don’t let that statement completely scare you away. The computer takes care of most of the complexity, it’s just the player’s job to understand what they want to do and figure out the best path to winning. It’s wonderful that the game designers have created such a game of vast complexity that is relatively simple to play and provides an interface through which to connect to other fans of complex board games worldwide with no real language barrier.
I found no evidence of unwholesome material in Gremlins, Inc. There is no violent or sexual content nor bad language that I encountered. It may be a game too advanced for younger children to understand, which could make it frustrating for them to play and for those who play with them. I would say if someone can easily play Magic: The Gathering, they should be able to handily play Gremlins, Inc.
I can’t wait to play more Gremlins, Inc. My wife and I both enjoyed our first play through and are eager to play as a team competitively to see how high we can rise on the leader boards. If you are a fan of complex board games, I highly recommend you get this game.
Blast Works is a side-scrolling shooter game released in 2008 for the Nintendo Wii. It was developed by Budcat Creations and published by Majesco Entertainment. From the little research I have done on this game, it appears to be a port of Tumiki Fighters from the PC to the Wii.
Tumiki Fighters was developed by Kenta Cho and released as free software in 2004. Written in the D programming language, it uses OpenGL for graphics rendering. I would assume Kenta Cho had a good deal of creative license with Blast Works given that versions of his other games, rRootage, Gunroar, and Torus Trooper are included as unlockable bonus items in the game.
Come At Me
Blast Works has a unique game mechanic that I don’t believe I’ve seen in any other side-scrolling shooter I have played. When an enemy is shot down and is falling toward the bottom of the screen, the player may swoop in to catch the enemy or the enemy’s guns. Wherever the enemy makes contact with the player’s plane is where the two objects connect. Once connected, the enemy’s guns will fire from that position as the player’s own guns toward other enemies. The former enemy will also serve as a buffer from being hit directly and losing a plane. As a level progresses, downed enemies hook to downed enemies creating a massive structure of firepower the player has accumulated to take on the level’s final boss.
There’s nothing quite like a good boss bullet hell.
When I first witnessed this game mechanic it surprised me. I had a great deal of fun connecting out enemy planes to the end of the screen and blasting anything in my path with my own bullet hell for once. I then got to thinking that due to this game mechanic the game might turn out to be too easy. Not so. The game makers did an excellent job balancing the game. Each boss I played outside of the first couple levels made me sweat. The player may choose three different levels of difficulty. The bullet hells are intense and Blast Works provides a similar experience to other classic side-scrolling shooters I have played in the past.
Come with me little girl on a magic carpet ride.
Another interesting feature provided in Blast Works is a full-fledged level editor. The player may create their own level, with their own enemies, and custom build their own planes to fly through those levels. Even new bullets can be created and customized. The game offers a CAD-like program to create and save new shapes and modify environments. The amount of detail to which a player can create their own levels is incredible. Blast Works feels like a PC game that still works incredibly well with the standard Wiimote/Nunchuck controllers.
Blast Works features three modes of gameplay for playing through the side-scrolling shooter levels. Campaign Mode allows one or two players to play through campaign levels in a sequential order. I assume extra game features are unlocked through this mode of play, but I have yet to unlock anything yet. Arcade Mode allows one to four players to play through levels sequentially for points. And as mentioned earlier, one to four players may play through a custom level created by a player in the User Levels mode.
Blast Works Game Disc
The music in the Blast Works is good. It sounds like a typical Wii game soundtrack, but mixed with the heavy synthetic techno kind of themes I would expect from a classic side-scrolling shooter of the Super Nintendo era. While the graphics are a bit blocky and look quite dated for the time this title was released, Blast Works more than makes up for it in gameplay and replayability. I picked up my copy of Blast Works used for less than four dollars. From a quick Amazon search it appears buying a new copy might cost less than ten dollars. At that price it’s well worth it. I would especially recommend this title for children who enjoy playing with Legos. It’s certainly not Minecraft, but who knows? Maybe this will be a gateway game for getting my son to play with CAD software someday in the future.
It’s not often that I review a game so new there isn’t even a Wikipedia page about it. Decksplash was released on November 2, 2017 on the Steam platform, developed and published by Bossa Studios. It is a skateboarding simulator in which the player can perform tricks while competing with other players in the same arena. Decksplash might be best summed up as Tony Hawk meets Splatoon with elements of Rocket League.
The player controls the movement of a skateboard around an arena either in practice mode, or with other players online in team against team matchmaking play. Players are awarded points for tricks they successfully perform and also accumulate points for how successful their landing was. Each time a trick is successfully performed with a successful landing, a splotch of paint the color of their team explodes in all directions from the center of the player’s skateboard with a radius size proportional to the number of points awarded for the trick.
The more a player performs a specific trick, the fewer points they receive each time they perform it. The game seeks to encourage players to always attempt something new. This begets certain strategies. Some times are better than others to use the high points on tricks a player is particularly good at, while attempting the riskier tricks is preferred at other times. To be competitive, Decksplash insists you read the proficiency of the other team and adjust your strategies to maximize your point count throughout the match. You’ll want to score your greatest points when the other team is floundering.
In online play the objective is to accumulate the most points and color the majority of the arena. Each match begins with both teams having 150 seconds on the clock. Whichever team’s color lays claim to the majority of the surface area of the map receives a countdown on their team’s clock. As soon as one of the team’s clocks hits zero, the game ends and the team with zero seconds remaining is the winner.
Customizing your deck. Default Pickleboard shown.
The skateboards can be customized via the “Customize Deck” option on the main menu. The player begins the game with a typical default skateboard with a common truck and pink wheels. All other options are locked and unavailable on first play. As the player accumulates more points and reaches milestones in the matches, they will level-up and receive loot boxes. Loot boxes contain decks, trucks, and wheels that can be selected for the game matches. I was able to get to level three within thirty minutes and had accumulated one new deck, two trucks, and three different colors of wheels.
Costa Del Splash
The game developers recommend playing Decksplash with a game pad. Given that I did not happen to have one handy at the moment, I used a keyboard for this particular review. The up, down, left, and right arrows are used from movement of the skateboard. “A” yaws left. “D” yaws right. “W” pitches up, while “S” pitches down. “Q” rolls left, and “E” rolls right. Periodically you will have a shockwave available to use. You can trigger this by using the “F” key.
EasyAntiCheat Service is required to play.
After installing Decksplash and prior to loading the game for the first time, a piece of software called EasyAntiCheat Service was installed to my machine in order to run the game. To my knowledge I’ve never encountered this program before so I did a bit of research on it. It is apparently a popular program for game companies to use to impede cheating on many of their game offerings.
I have read that it scans your system memory and takes random screen shots to ensure you’re playing fairly. It is currently used extensively in eSports, so it does have a legitimate track record in the industry. That being said, I would imagine that a random screenshot or memory scan at the right (or wrong) time could potentially reveal more information about the user than the user would ever intend to make public. I wanted to include this here to warn any paranoid users like me, proceed with caution. It also makes me wonder how difficult it would be to get this game to run in Linux via Wine given that there is a separate anti-cheat component required to run the game.
All in all, Decksplash is a colorful game that is a considerable amount of fun. I enjoyed making color splotches across the map, leveling up my skateboard, and performing increasingly challenging tricks. The matchmaking is quick, easy, and balanced. So far I haven’t been frustrated by Decksplash; I’ve only been having a blast. Decksplash is available to play for free on the Steam platform until November 10, 2017. If you are reading this prior to that date, go play it for yourself and see what you think.
Released on the Nintendo Wii in 2008, Igor: The Game was developed by Santa Cruz Games and published by Legacy Interactive and SouthPeak Games. Igor: The Game begins with protagonist Igor explaining his dream to be a somebody. In Malaria the somebodies are all evil scientists. Since Igor entered life with a hunchback, he was relegated to being a servant to the mad scientists. Therefore he has covertly been working on his inventions in secret in order to create something that will win the annual Evil Science Fair. All of the other characters beside Igor that may be played: Scamper, Brain, and Eva, are all creations of Igor. Eva, Igor’s most recent creation, was created to win first prize in the Evil Science Fair. Unfortunately it turns out she is not at all evil, and it is now up to the player playing as Igor to figure out how to still win the fair.
The storyline to Igor: The Game is creative and clever. It is funny, and has a sort of Addams Family feel to it. The game is based on Igor a motion picture that was produced by Exodus Film Group and released by MGM in 2008. In the beginning cutscene, the player is greeted with the familiar looking Frankenstein-like lab. There is a creature on a laboratory table and mechanisms all around. Igor calls for Brain to pull the switch and the lights go off. After reprimanding his creation, the lights come back on and the correct switch is pulled. Lightning surges into the operating table and Eva, his new creature, immediately comes to life and darts through the walls making her escape toward the local home for blind orphans. They chase after her, seemingly half hoping she is not doing anything to get into trouble while also hoping she is creating all sort of havoc. I’ll admit, I chuckled. This game seemed like it was off to a good start. Unfortunately the gameplay is not as good as the lines and characters in the cutscenes.
Every room feels huge and takes some time to traverse.
I wonder if Igor: The Game was tight on deadlines and raced out the door to be released in time with the movie. One thing I noticed very quickly when I played it was that the environments are huge compared to the size of the player characters. It takes a good bit of time for the player to walk a character across a room. To compensate for this, the players can jump to heights that appear to be relatively higher than what I would have expected and seem to hang in the air longer than expected. It’s almost like the designers just turned gravity down in their game engine configuration to solve a problem that should have been addressed more geometrically. Both of these issues combine to make the game seem incredibly awkward. I realized after pondering the awkwardness for awhile that I would wager they made the environments larger in order to accommodate a more primitive camera for the 3D environments. If the room is bigger with high ceilings, you don’t have to worry as much about keeping the camera being in a difficult position for the player to view the character they are controlling. While I experienced no actual bugs while playing this game, it feels more like a polished alpha build with production cutscenes than a full production title.
You can’t hear it here, but the background music is an annoying voice going, “La, La La, La Laaya Laa.” I’m sure parents loved this game when it came out.
One of the selling points of playing Igor: The Game for me was the fact that it allows up to four players to play cooperatively simultaneously. I figured it therefore might be a good game night title to invite friends over to play together in one sitting. While I praised Lego Pirates of the Caribbean: The Video Game for its fantastic split-screen mode in an article published the other day, there is no such split-screen in Igor: The Game. Given that the environments are large relative to the size of the character playing, even when there are two characters it is easy for their mobility to be impeded when they both find themselves on opposite sides of the screen, especially in the middle of fighting dangerous monsters. There were numerous times when my teammate and I got increasingly frustrated due to being stuck depending on the movements on the other until one of us gave up in our objective and walked back over to the other player.
Beating mechanical chickens and bashing crates is about all we’re doing here.
The meat of the gameplay in the little we played of it was to collect flowers and nuts and bolts, and to fight wind-up chicken things. It felt like it took forever to clear a single room of enemies and collect all the loot necessary to proceed to the next area. Once an area was completed and we had reached the furthest extent of the room, it would take forever to backtrack to the exit to move to the next area. While the cutscenes were mildly entertaining, the gameplay was downright tedious.
Igor: The Game Game Disc
I’m not really sure who would really benefit from playing Igor: The Game. If I were a small child, perhaps a fan of the movie, and this were one of the only games I owned for a gaming system, then I imagine I would be blind to its flaws and just enjoy it for the game it is. But given that this game was a chore to play in the brief time I began playing it, I don’t think it would be one I could see myself recommending or even agreeing to play on a random game night where my friends and I might be browsing through my game collection unsure of what to play next. My advice would be to skip this one over unless you enjoy being a thorough collector for the Wii.
Lego Pirates of the Caribbean: The Video Game Title Screen
To make up for her having to play through Cocoto Magic Circus last night, tonight my wife and I pulled out Lego Pirates of the Caribbean: The Video Game for Nintendo Wii. It was released in 2011. It was developed by Traveler’s Tales and published by Disney Interactive Studios.
Lego Pirates of the Caribbean: The Video Game follows the formula of most Lego games. The game seems to attempt to recreate the film it is based on scene by scene in a sort of parody: switching things up where necessary for younger audiences, to make the Lego blocks work with what is happening on screen, or just to make things more comedic for the audience. It really feels like you are replaying the movie in Lego blocks. The first four movies are represented, so it looks like there is no shortage of adventure awaiting us as we complete this game.
The split screen mechanics work well. Someone was playing as the dog in the lower left.
What made Lego Pirates of the Caribbean: The Video Game a good title for us to play is that it is fully two-player cooperative. A second player can drop in and out of the game at any time by pressing the “+” button on their wiimote. Players can change which character they wish to play within the current scene by pressing the “c” button on the nunchuck. This is a fantastic game for two players to spend several hours having fun enjoying a single game together.
Captain Jack Sparrow using his compass.
Lego Pirates of the Caribbean: The Video Game will let you be a team player or a jerk backstabber. Friendly fire is turned on by default, so hitting your fellow player will cause them to take damage. I haven’t checked if there is an option to turn off friendly fire, I need to look into that. True to her competitive form, my wife would hit me to knock me away from getting “her” treasure. The treasure totals collected will show up separately during the level, but they get combined at the end of the level. This game is truly a cooperative gaming experience, so there’s no need to be mean.
Choose between Pirates of the Caribbean movies to play through in port.
Sometimes I’ll get into an area in Lego Pirates of the Caribbean: The Video Game where I am scratching my head, unsure what to do next to progress in the level. I have therefore constructed a formula for progression that has served me quite well when working through a new area in this game’s levels.
1. Kill all enemies in the area. Make sure all damage that can be levied toward you is neutralized.
2. Examine the environment for things that can be built. Many environments are strewn with random Lego pieces that can be put together to create an item that is necessary to progress further in the level. Pressing the “Z” button puts pieces together. If you are stuck, walk around pressing the “Z” button.
3. Run around and look for items that show either a “c” button above them or a picture of another character that is required for you to play as in order to use that item. There were several things we had to do that required controlling a dog, or that could only be done by a specific character like Captain Jack Sparrow.
4. Use Captain Jack Sparrow’s compass to find anything that might be necessary in the area, dig for it, and use it.
We are commandeering this vessel. It’s the nautical term.
So far, the gameplay in Lego Pirates of the Caribbean: The Video Game has been very linear, but the game does not always hold the players hand and tell them exactly what they should do next. I think the game creators struck a refreshingly good balance between creating a challenging, fun experience and guiding players appropriately in how to play their game. After beating the first level, access to the beginning levels in all four Pirates of the Caribbean movies are unlocked, and the player can travel from the port to the current available level in any of those movies.
Lego Pirates of the Caribbean: The Video Game Game Disc
Quite the contrast to last night’s game, my wife wants us to complete and stream our progress in Lego Pirates of the Caribbean: The Video Game. I have had quite a bit of fun with it myself thus far. Obviously this would be a good title for children; the ESRB recommends this title for ages 10 and above. But I would also say this is a fun title for adults that want to play a nice relaxing game at the end of a day where they would like to enjoy only a moderate, light mental challenge while they laugh, have fun, and are entertained.
This is the worst game ever. I hate this game! It’s so stupid! – my wife.
Cocoto Magic Circus is a light-gun mini-game shooter released for the Nintendo Wii in 2008. It was developed by Neko Entertainment and published by Conspiracy Entertainment. It follows the same classic formula of many of the light-gun mini-game shooters of the era. The game case boasts, “40 mini-games, each more original than the last!” All of the games are point and shoot with lots of similar patterns strewn throughout all of them making the advertising deceptive at best.
Cocoto Magic Circus was not a new game when it came out on the Nintendo Wii. It debuted on the Playstation 2 where it was played with the GunCon light gun. Since the Nintendo Wii was the ideal console for this type of shooter, it makes sense that Cocoto Magic Circus might be re-released for the system.
Save Fairy from the spiders before she’s eaten!
The beginning cutscene handily tells the backstory without any words. Four monster-looking friends: Cocoto, Baggy, Neuro, and Shiny, according to the game manual, and their friend Fairy who is a pixie, meet a clown in the woods. He looks creepy as all get-out, but instead of running away they stick around to be friendly with him. The clown kidnaps Fairy, and the others race to help rescue her. Theoretically the objective of the game is to rescue Fairy by shooting her captors in the various mini-games. While some mini-games had us shooting bad guys to keep them away from Fairy, there was no point at the end of any mode of gameplay where Fairy ever regained her freedom that I noticed. The competing monsters would just hop up on the 1st, 2nd, and 3rd place stands at the end of the game to show how they placed in the Tournament or Duel modes.
This is air hockey… with guns. This shouldn’t be a mini-game, but a full featured title.
There are three multiplayer modes: Arcade, Tournament, and Duel. In arcade mode, one or two players play simultaneously and cooperatively until they run out of lives. Lives may be replenished in periodic bonus rounds. Tournament mode is a little bit of a misnomer that actually means hot seat in the case of Cocoto Magic Circus. In tournament mode players pass around one controller and play the mini-games one player at a time competitively. Some mini-games actually lend themselves to this mode of play better, especially for players who are less experienced with aiming a wiimote. This mode allows 2, 3, or 4 players to play. Duel mode allows 2 or 4 players to play competitively and simultaneously for a set number of games.
Try not to shoot Fairy in the face. Oops, instant mini-game over.
As I alluded earlier, some of the mini-games can be rather frustrating when playing simultaneously with another player. There are a handful of mini-games where all players are aiming at the same target and they only are given one shot to hit it. If all miss, the mini-game is failed. If an opponent hits the target first, the mini-game ends and you won’t get a chance to hit it as well. Then at the end of this short “mini-game,” the player who hit the target is awarded a large number of points for the round and the other players receive nothing. I felt like this happened more frequently than it should have, keeping the game from being well balanced. For this reason I am not sure this game would be very high on my list for Wii games to pull out in a party setting. It seems like the kind of game that is just begging for an argument to break out. My wife argued and screamed about how unfair the game was. I couldn’t understand why the ESRB rated this game for players 10+. There are no unsavory themes that I could find that a 7-year old couldn’t handle. Perhaps the frustration/unfairness issues were a factor?
Cocoto Magic Circus Game Disc
Cocoto Magic Circus is a fine game for practicing accuracy with the wiimotes on the Nintendo Wii, but out of all of the similar light-gun games I have played on the Wii, this one is actually my least favorite. It’s just more blah than fun. That combined with the fact that my opponent was yelling at the television the entire time we played made me want to put Cocoto Magic Circus back on the shelf for awhile.
Neon Chrome is a top-down shooter released in 2016 by 10tons Ltd for Windows 10, Mac OS X, and Linux on Valve’s Steam platform. My wife got me a copy of it from Humble Bundle in the Humble Very Positive Bundle 2. This bundle will disappear in the next 13 days, so if you like what you see, go pickup a copy.
I wouldn’t say I’m particularly a fan of top-down shooters, but Neon Chrome is sharp. You can tell a great deal of thought and imagination went into the creation of this game. The game is set in a cyberpunk future in a large arcology complex called Neon Chrome, run by Neon Corp, which is home to over a million people. The Overseer v1.0 is an artificial intelligence tasked with the responsibility of taking care of Neon Chrome and its inhabitants.
The Immersion Room
The game starts the player off in a tutorial to help the player learn the controls. In this tutorial, the Overseer explains how while he is entrusted to take care of all of the lives within Neon Chrome, the trust goes both ways. He informs the player that she is scheduled for termination and as she fights her way through the level leads her into a trap. Once the player dies at the end of the tutorial, the game fades into the Immersion Room, from which all missions start.
The Immersion Room contains power-ups that can be purchased after completing level three and hacks that can be implemented once the player has defeated Overseer v1.0. It looks like there are 33 levels on the way to defeating Overseer v1.0. By sitting in the Immersion Chair, the player begins level one in a new asset in a different section of the Neon Chrome complex.
The Pathway to the Overseer.
I haven’t quite discovered what an asset is in this game. I’m not sure if it is an actual human body that the player assumes control over, a cybernetic robot controlled remotely, or some sort of replicant hybrid in-between. The number of assets are finite, they are all numbered in the room where they wake up from hibernation. When walking to the edge of the room you can see there are other rooms with more assets in them. I don’t know what the game’s limit on the number of lives is, if there is a limit. When sitting in the Immersion Chair, the player gets to pick from three asset classes which come with a few different attributes.
Choose Your Asset.
Cyber Psychos get a boost to health and get two additional slots for cybernetic enhancement. Techies get a boost to energy and have an personal shield that regenerates over time. Corporate Soldiers have a riot shield that reduces hits taken to their face by 25%, along with a 15% bonus to damage inflicted from fighting. Hackers get a boost to energy and speed, and are proficient in picking locks for additional loot. They also start with a nifty little robot that shoots enemies alongside the player. I personally found my greatest satisfaction in playing the Hacker class. Hackers seem built for stealth and setting traps, and it seemed to become more my style to lure the enemies into a bottleneck for me to pick off one at a time, or to evade altogether by sneaking through doors while their backs were turned.
Gameplay as Hacker class.
On some levels, there are places where you can upgrade your character’s cybernetics with different abilities. It’s interesting to play around with all of the options. Being as inexperienced as I am, the best option for me was usually to destruct all of the robots on the level. Neon Chrome is not a terribly easy game and takes some practice, and I’m not very good at top-down shooters. But the more you play, the better at it you get, and it’s actually quite a lot of fun.
Upgrade Your Cybernetics
Neon Chrome was designed for up to four players to play simultaneously and cooperatively on the same local machine. This is a good game to hook up to a big-screen television with four game pads to play with your friends. I have been playing it with a keyboard, but it might me much easier when I switch to my Steam controller.
Play with friends!
I am a sucker for a futuristic cyberpunk theme, and this is where Neon Chrome really shines. If you are a fan of William Gibson’s novel Neuromancer, Ridley Scott’s movie Blade Runner, or other similar artworks of science fiction, then you’ll be right at home with Neon Chrome. With the dark foreboding background invaded by neon lights and lasers, and an inspiring soundtrack that fits with the theme, Neon Chrome delivers a rich gaming experience. The graphics are crisp. In some of these top-down shooters it’s hard to make out what I’m looking at from the top-down perspective. I have had fewer issues of this with Neon Chrome.
I think I will be playing a lot more of Neon Chrome in the days to come. It’s easy to pick up and play, it’s fun, it’s addictive, and it supports multiple players as a Steam Box title. As I said earlier, at the time of this writing it’s also on humble bundle, so you can support a good cause and get a great game simultaneously.